By his own estimation, Jack would be the last guy to go up against a wealthy and powerful man like Joseph Pulitzer. And he knows he wouldn’t stand a chance. But Jack has qualities of character that he doesn’t yet recognize himself. And the discovery of those qualities are going to transform him into a powerful leader who creates a better life, not only for himself, but also for the rest of the exploited kids of New York City. 

Javert and Jean Valjean: The protagonist and antagonist are key components of a logline This week, I’m continuing the Building Blocks of...

Save the Cat has not yet been adapted to musicals. Maybe that’s because musicals have not always been about telling a great story. But modern audiences are accustomed to tightly-woven and fulfilling stories, and the story of a Summit Stages musical needs to do more than just entertain; it needs to inspire audiences in a way that builds the Beloved Community. That’s why I’m working on adapting Snyder’s model to musicals.