Rebecca Burnham

An overview of the key components that were common to musicals during Broadway’s golden age. Even then, not all musicals had all of them. But most of the successful ones generally followed this outline (and many modern smash hits still follow it today).

Simon of Cyrene: The Musical was to reach Black people and help them see themselves in the story of Jesus’ suffering, crucifixion and resurrection. Its writer wanted “to demonstrate to other Black boys and men how God works miracles to turn circumstances and situations into God-honoring destinies.” But just the trailer choked me up and helped me connect with the story in a way that deepens my understanding and grief about racial relations

Mind the Gap participants enact an ideological tug-of-war Collaboration across all sorts of divides is one of Summit Stages’ core...